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 The 21-Day Intensive

 

AFTER THIS THREE-WEEK SPRINT, YOU'LL HAVE A PROFESSIONAL DRAFT WORTHY OF CONSIDERATION

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This is for you if...

- You’ve a complete pilot or feature draft - 
 - You know it needs work, but you can’t see what to tackle first - 

 

 - You’re ready to execute a rewrite with focus and speed - 

 

 - You want professional-level clarity, not a pile of opinions - 

Apply

 
Fill out the Application Form and upload your pages. 
If it’s a fit, you’ll receive an acceptance email.

Book

 
Once purchased, you’ll receive a checkout link and access to my calendar.
Payment plans are available.

Revise

 
We meet 3 times in 21 days. You'll get notes, recordings, and the Rewrite blueprint.

Session Breakdown

Session 1: Diagnosis + your Rewrite Blueprint
We identify what’s not working, what matters most, and what to ignore. You leave with a clear rewrite plan and your priorities locked.

Session 2: Midpoint rewrite check
You bring pages and questions. We adjust the Blueprint as needed, solve the sticky story problems, and keep the rewrite moving.

Session 3: Final pass + polish
We tighten, fix the last soft spots, and bring the draft up to a professional finish. 

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 Dawn DeKeyser is a TV and film writer and producer with decades in writers’ rooms, on sets, and in pitch meetings. She’s written and produced hundreds of hours of television across legacy, cable, and streaming.

Her credits include Ugly Betty, Samantha Who?, NewsRadio, Becker, Good Witch, and more. She’s worked with Emmy and Oscar-winning talent, and she’s taught screenwriting at UCLA, NYU, and film festivals nationwide.

She knows what gets a script read and what gets it tossed aside by page five.


 

Testimonials

 

Investment

$2,799 

 Courses teach. Notes point out specific problems. Writers’ groups motivate.

None of them reliably produces the outcome you need: a draft that holds up when the Hollywood readers hit page one.

Payment plans are available at checkout.

Limited Spots
4 Screenwriters Accepted Each Month. 
APPLY HERE

FAQs

The GOOD NEWS Letter. Writing tips and insider
intel from a Hollywood screenwriter.


New York // Los Angeles

 

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