Yes. 

Only your attention. If you want, have your first 10 pages nearby so you can apply the repairs immediately.

Only if you register. In the event you can't make it to the live class, you'll have access to the replay for 48 hours.

Dawn is 104 years old.
 
During World War II, Dawn was requested by President Roosevelt to entertain the troops. Led to believe she'd be performing sexual acts for any two-bit NCO with a chocolate bar, she was bitterly disappointed to find she was only required to tap dance.
 
The Allied Powers won, no thanks to her.
 
She drifted aimlessly to Chicago during its jazz heyday. The 1950s. A heady time. Bandleader Barney Rapp signed her to front his band, The Jazznots. She was renamed Doris Day until slapped with a lawsuit by
the alleged girl next door herself.
 
The 1960s and 70s were perhaps a psychedelic blur. We don't know. We may never know.
 
By the 1990s, Dawn was ready to try her hand at screenwriting. She was diligent and tortured and unpleasant to be around but it worked. She broke in, succeeded, failed, broke in again, shot to the top, plummeted to the bottom, broke in again, and kept writing.
 
In the Aughts and 10s, she did what few writers were able to do. Dawn made the transition from working on comedy series to selling and working on dramas, mysteries and films. She credits her nimbleness to dodging trolley cars back when she was a tiny street urchin.
 
Today, Dawn teeters around her vast estate in the Hudson Valley occasionally padding into her four-story library where she keeps her laptop and a peahen named Doris.

Both. The first 10 pages have to do the job either way.

Dawn is not an oracle. If she says she is, don't believe her.
 
She is, however, experienced in working consistently as a professional scriptwriter in TV and film and she wants you to take it seriously. Breaking in is hard. "Making it" is harder still.
 
You do not have to have connections, but you do have to create them.
 
You do not have to be an Ivy League grad but you do have to be intelligent, disciplined and serious as fuck, even if you're writing comedy.
 
You do not need to know the intricacies of how the business has changed, but you do need to know what the changes mean for you, your writing and your opportunities.