The Healing Power of Art

The Art and Commentary of Sculptor Carl Hopgood

Out of the five artists exhibiting at UTA Artist Space in a show called Fragile World, it is British artist and Soho House member Carl Hopgood who delivers sharp social commentary with wit. This, in the aftermath of a global pandemic. His fifteen art installations are an irreverent mix of dark existentialism and glowing neon light. 

To find whimsy in a devastating time in history is to find beauty in destruction. All one had to do was drive down Santa Monica Boulevard to see the broken storefronts, boarded windows, and chairs piled on tables in empty restaurants. The heart of gay nightlife disappeared, and with it, an entire community was silenced. Gone were the shared experiences, the hook-ups and take-downs, the colorful, outrageous denizens of West Hollywood.

The majority of Hopgood’s work in this exhibition was made during this time when he entered into a self-proclaimed “existential crisis.” It allowed him to reflect on his life and draw on personal experiences. It was also a way for him to address the vulnerability he felt at that time.

“It brought back that sense of loss when my friends in London passed away over the years. Taken at such a young age, all before they were 40 - Christopher Price, Tim Royce, Alexander McQueen, David Perks… The pandemic triggered overwhelming feelings of sadness, shock, anger, and disbelief. There was one thing that could be done, and that was to make art as my therapy.”

Born in the UK to a Welsh father who was a chemist and a Greek mother who handled the bookkeeping at the local brewery, Hopgood came from a mathematically gifted family. His grandfather was an engineer during World War II working on fighter-bombers for the military. However, Hopgood did not identify with such an unambiguous, inductive line of thought. Instead, he invented make-believe worlds through installations cobbled from mushroom boxes and cardboard. These imaginary worlds also became an escape from the bullying he faced in school. 

It takes no small amount of sufferance and self-reflection to recreate oneself from a boy who was bullied into a man who brings empathy and allure to the bullish art world of today. 

If didactic art intends to instruct, Hopgood teaches with a commanding narrative. He draws inspiration from Marcel Duchamp and Bruce Nauman while using everyday objects such as chairs, mattresses, bird cages, ladders, and empty soda cans.

Let’s start with the neon installation in the main gallery space, Chair Therapy. You take the detritus of a worldwide epidemic and create life from wooden chairs, wire, and light. So, where did this idea begin?

“During the Covid pandemic that turned our lives upside down, I would walk past restaurants and shops and see chairs stacked up in the windows. It was like a ghost town. There was so much illness, death, and collapse that the virus left in its wake.” 

“I remember driving past stores that caught fire in North Hollywood. Everything burned to the ground. The only things that survived were these burned chairs. I wasn’t sure if it was an accident or a deliberate act of desperation. I thought about using them for a sculpture, but one crumbled when I went to pick it up. I was thinking about the story of the phoenix rising from the ashes and wanted to make something that offered hope in dark times. So I painted the folding chairs black to make them look burned. I realized the power of creating art had given me the ability to heal.”

“Looking For Love In All The Wrong Places” is a powerful display of desire and desolation. A mattress frame hangs from the ceiling with cascading neon words from its box springs. What was your inspiration?

“I made this artwork when I first moved to LA. I saw so many mattresses, beds, and chairs discarded on the streets. I began to see that this was a city of extreme divides between the rich and the poor. I remember in 2008 seeing the Derek Jarman show Brutal Beauty at The Serpentine Gallery and was reminded of the AIDS epidemic of the 1980s. In many ways, the Covid pandemic brought back the panic and fear we first felt living through those times. The work is about subconscious thoughts, dreams, fantasies, and taboos.” 

“Freedom To Choose” represents an erosion of our freedoms. But, contextually, what else does it say?

“It is a piece about inequality. A twisted piece of wire isn’t just a symbol of dangerous abortions. It’s a symbol of inequality. The Supreme Court of the United States signaled its intention to overturn fundamental human rights, so the neon wire hanger suspended in a birdcage depicts the inability of millions of women to make choices about their bodies. History has shown us this will lead to unsafe back alley abortions.”

 Your “Just Say Gay” installation is both simple and hard-hitting. Can you tell us about the messaging you chose? 

“I made ‘Just Say Gay’ in response to the controversial so-called ‘Don’t Say Gay’ bill and the increased attacks that the Gay and Trans communities are facing on our human rights. The Republican-backed legislation banning LGBTQ instruction in primary schools is the latest example of how our liberties are at stake.”

In “Twelve Steps,” you paraphrase a quote from Greek poet Dinos Christianopoulos. His couplet, ‘What didn’t you do to bury me, but you forgot that I was a seed,’ was in the collection, “The Body and the Wormwood.”

“Christianopoulos was sidelined by the Greek literary community in the 1970s because he was gay. The fight against bullying, repression, injustice and discrimination are things I have personally experienced being Welsh, Greek, and gay. One of my earliest memories at school was being chased when I was a child. They would scream ‘gay boy, gay boy’ over and over again. I didn't stop running until I found a place of sanctuary - a pile of stacked-up chairs in the back of the school canteen. This disturbing memory never left me.”

Carl Hopgood has a Bachelor of Fine Arts first class honors from Goldsmiths College in London and a Masters in Fine Art from the University of the Arts, Central Saint Martins in London. In this exhibition, he brings new and existing works combining found objects, neon, and video. 

Written by Dawn DeKeyser

UTA Artist Space, an exhibition venue designed by Ai Weiwei, is an extension of United Talent Agency’s commitment to the Los Angeles art scene as much as it is a venue for showcasing globally recognized talent.

The Fragile World exhibition features the works of Carl Hopgood, Samyar Maleki, Ryan Winnen, Jack Winthrop, and Greg Yagolnitzer. Arthur Lewis, Creative Director of UTA Fine Arts & Artist Space, and Soho House will hold a members event before the exhibition opens. 

Soho House Magazine article, Bi-annual Edition 2022